When we'd suggested doing it the Theatre Royal management had said 'Nobody wants to see Waiting for Godot.' As it happened every single ticket was booked for every single performance and this confirmation that our judgment was right was sweet. Audiences came to us from all over the world. It was amazing.
The real art is not to come up with extraordinary clever words but to make ordinary simple words do extraordinary things. To use the language that we all use and to make amazing things occur.
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So for my studio purposes I know that I'm in my studio with technicians who've done amazing things to my board and to my power amps and I know what I can deliver out of my studio.
