When I was in Philadelphia during the Depression in 1930 or '31 I got a very sad job as a night watchman in a garage. The cars in the garage had been abandoned by their owners since they had lost their jobs and couldn't keep up the payments.
I am co-writing a screenplay now and I'm working on the rights to another story I want to do. So I plan to produce and direct. So for me I don't really feel that I am vulnerable to that sad baggage that comes with the business of filmmaking.
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I'm not a sad person upset the whole time but I seem to be quite emotional.
