The middle class is doing fine in fiction. But it's not what gets me going. I love the working class and everyone from it I've met and think they're incredibly witty inventive – there's a lot of poetry there.
I don't write poetry and then strum some chords and then fit the words on top of the chords.
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Perhaps there is an idea among Japanese students that one general difference between Japanese and Western poetry is that the former cultivates short forms and the latter longer ones gut this is only in part true.