The kind of theater that I do is sort of 'narrative realism ' which I think in the broadest sense is legitimate to say is mainstream. I mean in a certain sense Suzan-Lori's plays have had mainstream levels of success. But Suzan-Lori is in some ways not a narrative realist.
Dullness in matters of government is a good sign and not a bad one – in particular dullness in parliamentary government is a test of its excellence an indication of its success.
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I was if you like a successful schoolboy in that I had a degree of talent in all the required things that make you a success at school.