So when you go to a set and you just fully trust everybody you know how hard everybody's working you know that the people doing it are good and have such a strong vision – that's exactly my experience on 'New Girl ' and what my experience on 'Veronica Mars' was like. Everybody was just so great.
I grew up in a neighborhood in Baltimore that was like a war zone so I never learned to trust that there were people who could help me.
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I got this idea about being afraid to let go of something and being afraid of sinking into a state of almost anesthesia where you have to trust other people. Just the paranoia of it all. And it seemed to suit the frenetic track. So I just wrote it out and you know said it.
