In every work of art the subject is primordial whether the artist knows it or not. The measure of the formal qualities is only a sign of the measure of the artist's obsession with his subject the form is always in proportion to the obsession.
Customs and convictions change respectable people are the last to know or to admit the change and the ones most offended by fresh reflections of the facts in the mirror of art.
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Because most of my career in the classroom has been at art schools (beginning at Bennington in the 1970s) I am hyper-aware of the often grotesque disconnect between commentary on the arts and the actual practice or production of the arts.
