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I started on the use of the Internet for scientific communication. Our research group was one of the very first to make really systematic use of it as a way of managing research projects.

Topic:

Communication,

Author:

Joshua Lederberg
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Walt put everything he knew about communication with images into the park so it was very familiar.

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It is quite an illusion to imagine that one adjusts to reality essentially without the use of language and that language is merely an incidental means of solving specific problems of communication or reflection.

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The fact that we are I don't know how many millions of people yet communication complete communication is completely impossible between two of those people is to me one of the biggest tragic themes in the world.

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People break down after a couple of hours. All the defenses go down and there's a kind of communication that if I spent 20 years in a living room with one of these people I would never never know as much about them as I do in that one day.

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It's about communication. It's about honesty. It's about treating people in the organization as deserving to know the facts. You don't try to give them half the story. You don't try to hide the story. You treat them as – as true equals and you communicate and you communicate and communicate.

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Strange about parents. We have such easy access to them and such daunting problems of communication.

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Article Information

Category: Communication

Authors

A. A. MilneA. B. YehoshuaA. Bartlett GiamattiA. C. BensonA. E. HousmanA. E. van VogtA. J. JacobsA. J. LangerA. J. LieblingA. J. McLean

Topics Index

1 Age

  • 1. Those who love deeply never grow old they may die of old age but they die young.
  • 2. The Border Ballads for instance and the Robin Hood Ballads clearly suppose a state of society which is nothing but a very circumscribed and not very important heroic age.
  • 3. I was very successful from a very early age and I want to keep it.

2 Amazing

  • 1. I have a ridiculous fear of sharks but I'd jump in the water in a second for an amazing role.
  • 2. They are amazing kids so we let them make decisions but also have discipline.
  • 3. I know no subject more elevating more amazing more ready to the poetical enthusiasm the philosophical reflection and the moral sentiment than the works of nature. Where can we meet such variety such beauty such magnificence?

3 Anger

  • 1. But on second thought after I decreed the state of emergency I came to the conclusion that that was impossible to achieve without bloodshed because the street protesters were full of anger and nearly out of control. This is why I thought we needed to find another way out.
  • 2. In the final analysis the incident is seen as originating from an emotional expression of the frustration and anger of the proud people of China who had been subject to ever increasing oppression from without and decadent corruption from within.
  • 3. The only justice is to follow the sincere intuition of the soul angry or gentle. Anger is just and pity is just but judgement is never just.

4 Anniversary

  • 1. Actually the year anniversary of what you just heard my son Grahame and I are going to be in a play together and I'm acting for the first time in front of an audience that doesn't consist of a high school drama class.
  • 2. It is a matter of public shame that while we have now commemorated our hundredth anniversary not one in every ten children attending Public schools throughout the colonies is acquainted with a single historical fact about Australia.
  • 3. And currently there are four to five new works in the pipeline for upcoming celebrations such as the Sydney 2000 Olympics Australian Federation my 50th Birthday and Sydney Dance Company's 25th Anniversary.

5 Architecture

  • 1. To me a building – if it's beautiful – is the love of one man he's made it out of his love for space materials things like that.
  • 2. Maybe we can show government how to operate better as a result of better architecture. Eventually I think Chicago will be the most beautiful great city left in the world.
  • 3. All those involved in the construction of an architectural design from the architect to the builder have an attachment to the architecture although it's difficult to quantify the attachment.
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