I see the Beijing National Stadium as an architectural project. I accepted Herzog and De Meuron's invitation to collaborate on the design and our proposal won the competition. From beginning to end I stayed with the project. I am committed to fostering relationships between a city and its architecture.
Liquid architecture. It's like jazz – you improvise you work together you play off each other you make something they make something. And I think it's a way of – for me it's a way of trying to understand the city and what might happen in the city.
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The building of the architecture of a novel – the craft of it – is something I never tire of.
