I feel there's a power in theatre but it's an indirect power. It's like the relationship of the sleeper to the unconscious. You discover things you can't afford to countenance in waking life. You can forget them remember them a day later or not have any idea what they are about.
Obviously a long-distance relationship is hard. But like anything worth having you make it work.
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I've discovered just how symbiotic the relationship is between writers directors and actors. They ask the same questions and strip down texts in exactly the same way.
