David was the kind of guy who was totally supportive of the actors and instructed the writing staff to trust the actor's instincts since after all it's the actors playing the character.
I never found anyone who was good enough who I could trust enough.
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The first year I started in San Francisco there was an American work on every program and there's been a lot of music by living composers and gradually that was part of the process of getting the audience really to trust me.
