The first year I started in San Francisco there was an American work on every program and there's been a lot of music by living composers and gradually that was part of the process of getting the audience really to trust me.
David was the kind of guy who was totally supportive of the actors and instructed the writing staff to trust the actor's instincts since after all it's the actors playing the character.
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Now where people are – at least the people I talk to – they are focused on issues of trust. Accountability also comes up to make sure that this doesn't happen again.
