There were two sides to David Lean: on the one side he was kind of a rather stiff disciplined Englishman. And then he had this kind of romantic side to him. I think being true to both sides of your nature is important.
It seems to me that romantic comedies used to be about falling in love but in recent years they've really become just comedies where the love story is only there as a spine to hang the jokes on.
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Scotsmen are metaphisical and emotional they are sceptical and mystical they are romantic and ironic they are cruel and tender and full of mirth and despair.
