I feel there's a power in theatre but it's an indirect power. It's like the relationship of the sleeper to the unconscious. You discover things you can't afford to countenance in waking life. You can forget them remember them a day later or not have any idea what they are about.
Mine is just a simple old human story – of one person trying with great rigor and discipline to comprehend her personal relationship with divinity.
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I visited my father for the full ten years that he was in prison so we already had a deep and loving relationship and remembered our mother at those times.
