To make a love story you need a couple of young people but to reflect on the nature of love you're better off with old ones. That is a fact of life and literature – and of the novel ever since it fell in love with love in the 18th century.
I like figuring out where I need to be mentally so that I'm not thinking about the camera and that it's second nature. I want to get to a place where I can exist within the confines of what you can do with filmmaking and not have to think about it.
