There are certain sounds that I've found work well in nearly any context. Their function is not so much musical as spatial: they define the edges of the territory of the music.
For instance I'm always fascinated to see whether given the kind of fairly known and established form called popular music whether there is some magic combination that nobody has hit upon before.
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Once I started working with generative music in the 1970s I was flirting with ideas of making a kind of endless music – not like a record that you'd put on which would play for a while and finish.
