For instance I'm always fascinated to see whether given the kind of fairly known and established form called popular music whether there is some magic combination that nobody has hit upon before.
Editing is now the easiest thing on earth to do and all the things that evolved out of word processing – 'Oh let's put that sentence there let's get rid of this' – have become commonplace in films and music too.
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There are certain sounds that I've found work well in nearly any context. Their function is not so much musical as spatial: they define the edges of the territory of the music.