I like to comprehend more or less everything around me – apart from the creation of my music. It's an obsessive character trait that's getting worse. I don't switch the light on and off 15 times before I leave the room yet but something's going wrong.
I got interested in the idea of music that could make itself in a sense in the mid 1960s really when I first heard composers like Terry Riley and when I first started playing with tape recorders.
