It took me twenty years to get Steven Parrino's work. From the time I first saw his art in the mid-eighties I almost always dismissed it as mannered Romantic formulaic conceptualist-formalist heavy-metal boy-art abstraction.
A canon is antithetical to everything the New York art world has been about for the past 40 years during which we went from being the center of the art world to being one of many centers.
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'Untitled' is a time machine that can transport you to 1992 an edgy moment when the art world was crumbling money was scarce and artists like Tiravanija were in the nascent stages of combining Happenings performance art John Cage Joseph Beuys and the do-it-yourself ethos of punk. Meanwhile a new art world was coming into being.
