My culture-deprived aspirational mother dragged me once a month from our northern suburb – where the word art never came up – to the Art Institute of Chicago. I hated it.
Abstract Expressionism – the first American movement to have a worldwide influence – was remarkably short-lived: It heated up after World War II and was all but done for by 1960 (although visit any art school today and you'll find a would-be Willem de Kooning).
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I'm noticing a new approach to art making in recent museum and gallery shows. It flickered into focus at the New Museum's 'Younger Than Jesus' last year and ran through the Whitney Biennial and I'm seeing it blossom and bear fruit at 'Greater New York ' MoMA P.S. 1's twice-a-decade extravaganza of emerging local talent.
