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It is not the quantity but the quality of knowledge which determines the mind's dignity.

Topic:

Knowledge,

Author:

William Ellery Channing
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The Greeks possessed a knowledge of human nature we seem hardly able to attain to without passing through the strengthening hibernation of a new barbarism.

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I have always liked the idea of going to print because a big part of what we are about is to disseminate knowledge throughout the world and not just to people who have broadband.

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Knowledge
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Growing up in Nashville especially in a music business family means growing up with knowledge that seems like common sense until later in life when you realize people spend thousands of dollars a semester trying to learn or pretending to learn while looking for some intern job on music row.

2

Making a film of a work you've played for six weeks gives you intimate knowledge of the character. By the time you go in front of the camera you've worked out the behavior and life of a character.

3

Henceforth the leaves of the tree of knowledge were for women and for the healing of the nations.

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Most people who are selling their mineral rights this is a once-in-a-lifetime transaction. The people who are buying the landmen who are coming in do it every day. So there's a little inequity there about knowledge.

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Article Information

Category: Knowledge

Authors

A. A. MilneA. B. YehoshuaA. Bartlett GiamattiA. C. BensonA. E. HousmanA. E. van VogtA. J. JacobsA. J. LangerA. J. LieblingA. J. McLean

Topics Index

1 Age

  • 1. Many women my age have known the experience of giving up crucial parts of themselves to please the man they love.
  • 2. I basically started playing violin at the age of six. That lasted about three years because my previous teacher died and the second teacher didn't really know how to successfully get me going.
  • 3. I can't hit on women in public any more. I didn't decide this it just doesn't feel right at my age.

2 Amazing

  • 1. With most British actors it's amazing. I think they start with the character on the outside and work in.
  • 2. I spend up to two hours a day on correspondence. Hearing from fans on the Internet and being able to directly respond to the fan base is exciting. You can cut out the middle man like the fan club… before a recent appearance in Tyler Texas I had fans reaching out on MySpace offering their lake house Mavericks tickets. It was amazing.
  • 3. It's amazing the relationships you forge in a kitchen. When you cooperate in an environment that's hot. Where there's a lot of knives. You're trusting your well-being with someone you've never before met or known.

3 Anger

  • 1. There was never an angry man that thought his anger unjust.
  • 2. The anger in the Brigade against those who fought the Republic in the rear was sharpened by reports of weapons even tanks being kept from the front and hidden for treacherous purposes.
  • 3. I think I would cope like anyone copes with any tragedy. I'm sure I would be very upset for a while and then there would come a point where I would either have to stay in this place of darkness and anger or I'd have to accept that it happened.

4 Anniversary

  • 1. Mr. Speaker I rise today to recognize the Peace Corps as it reached its 45th anniversary on March 1 2006.
  • 2. You will reciprocally promise love loyalty and matrimonial honesty. We only want for you this day that these words constitute the principle of your entire life and that with the help of divine grace you will observe these solemn vows that today before God you formulate.
  • 3. Love grows more tremendously full swift poignant as the years multiply.

5 Architecture

  • 1. Every man's work whether it be literature or music or pictures or architecture or anything else is always a portrait of himself.
  • 2. So what we have tried to do in our later buildings is to try to be completely consistent as a painter is consistent or as a sculptor is consistent. Architecture also must be very consistent.
  • 3. First there is the bare beauty of the logs themselves with their long lines and firm curves. Then there is the open charm felt of the structural features which are not hidden under plaster and ornament but are clearly revealed a charm felt in Japanese architecture.
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