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We do not need to be shoemakers to know if our shoes fit and just as little have we any need to be professionals to acquire knowledge of matters of universal interest.

Topic:

Knowledge,

Author:

Georg Wilhelm Friedrich Hegel
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Wisdom is the power to put our time and our knowledge to the proper use.

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Knowledge the object of knowledge and the knower are the three factors which motivate action the senses the work and the doer comprise the threefold basis of action.

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Growing up in Nashville especially in a music business family means growing up with knowledge that seems like common sense until later in life when you realize people spend thousands of dollars a semester trying to learn or pretending to learn while looking for some intern job on music row.

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Making a film of a work you've played for six weeks gives you intimate knowledge of the character. By the time you go in front of the camera you've worked out the behavior and life of a character.

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Henceforth the leaves of the tree of knowledge were for women and for the healing of the nations.

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Most people who are selling their mineral rights this is a once-in-a-lifetime transaction. The people who are buying the landmen who are coming in do it every day. So there's a little inequity there about knowledge.

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Article Information

Category: Knowledge

Authors

A. A. MilneA. B. YehoshuaA. Bartlett GiamattiA. C. BensonA. E. HousmanA. E. van VogtA. J. JacobsA. J. LangerA. J. LieblingA. J. McLean

Topics Index

1 Age

  • 1. I must confess I was born at a very early age.
  • 2. High expectations weren't nurtured in my neck of nowhere back then – children weren't fawned over from an early age as 'gifted' and groomed for a prizewinning future self-esteem was considered something you had to pick from the garden yourself.
  • 3. I remember being in Hollywood at the age of 16 and marveling at the stars. The idea of being part of it never entered my mind. It was too far-fetched.

2 Amazing

  • 1. Innovation is this amazing intersection between someone's imagination and the reality in which they live. The problem is many companies don't have great imagination but their view of reality tells them that it's impossible to do what they imagine.
  • 2. I have the most amazing support network around me.
  • 3. I liked the way they treated the first second and third place finishers equally. It was an amazing year. I only entered two song contests this year I won one and placed second in the other. And I entered each of them a day or two before the deadline.

3 Anger

  • 1. Usually when people are sad they don't do anything. They just cry over their condition. But when they get angry they bring about a change.
  • 2. In times of great stress or adversity it's always best to keep busy to plow your anger and your energy into something positive.
  • 3. Speak the truth do not yield to anger give if thou art asked for little by these three steps thou wilt go near the gods.

4 Anniversary

  • 1. And currently there are four to five new works in the pipeline for upcoming celebrations such as the Sydney 2000 Olympics Australian Federation my 50th Birthday and Sydney Dance Company's 25th Anniversary.
  • 2. It is a matter of public shame that while we have now commemorated our hundredth anniversary not one in every ten children attending Public schools throughout the colonies is acquainted with a single historical fact about Australia.
  • 3. On this important anniversary we must remember that while we have come a long way in eliminating barriers critical work remains to ensure all Americans can live up to their full potential.

5 Architecture

  • 1. I probably spent the first 20 years of my life wanting to be as American as possible. Through my 20s and into my 30s I began to become aware of how so much of my art and architecture has a decidedly Eastern character.
  • 2. I see the Beijing National Stadium as an architectural project. I accepted Herzog and De Meuron's invitation to collaborate on the design and our proposal won the competition. From beginning to end I stayed with the project. I am committed to fostering relationships between a city and its architecture.
  • 3. The logic of Palladian architecture presented an aesthetic formula which could be applied universally.
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