Richard Hugo taught me that anyone with a desire to write an ear for language and a bit of imagination could become a writer. He also in a way gave me permission to write about northern Montana.
Doing 'White Collar ' quite often my character goes undercover so therein lies the compounding of the imagination. I get to play Peter Burke and then someone else when Peter Burke goes undercover.
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The Polar Express is about faith and the power of imagination to sustain faith. It's also about the desire to reside in a world where magic can happen the kind of world we all believed in as children but one that disappears as we grow older.